Talk about making it big!I was walking to the Lexington Avenue subway station on E. 23rd Street when I looked up and saw this giant work-in-progress. There were actually four men working on this - two each on two platforms.
I had my Tamron "super-zoom" 18-270mm lens on my camera. I racked it to full-out telephoto and started to watch the painters. The 270mm position was just enough to show a small but detailed figure against a large section of the painting.
From a superb workshop I took with Karen Schulman, I knew that in an image like this, gesture is important to keep the photo from looking too static. "Gesture," in that context, could mean a lean of the body, an arm or leg extended, in other words, just about anything that departs from "just standing there."
For this situation, I figured that "gesture" would be in the form of reaching out with the paintbrush. It took about 20 minutes, but sure enough, I got a few shots of two of the guys in a good lean-and-stretch. This one is the one I liked best, as he's putting his whole body into it.
In case you're curious, the... er... I don't know what to call the painting-on-the-side-of-a-building... is for a remake of the 1981 film, Arthur.
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